Juan Luis de Pablo
Enríquez Rohen

Born in Mexico City in 1970, Juan Luis de Pablo Enríquez Rohen grew up surrounded by the rich cultural tapestry of Mexico — its ancient history, vibrant music, and enduring mysteries. From an early age, he was captivated by questions that bridged art and science: Why do certain melodies move us? What secrets do the stars hold? How did ancient civilizations understand the cosmos?

His childhood was filled with music, curiosity, and the loving encouragement of his family — especially his sister Martha Angelica, who recognized his artistic gifts and urged him to pursue them. When she passed away in 1990 at just twenty years old, Juan Luis channeled his grief into an unwavering commitment to honor her memory through the art form she had always believed in.

After a brief encounter with theater at UNAM's University Center of Theater, Juan Luis recognized that his calling lay elsewhere. With the support of his parents, he enrolled at Laredo Junior College and later transferred to Trinity University in San Antonio, Texas, where he immersed himself in the liberal arts — music, literature, history, geology, religion, and the sciences. This multidisciplinary foundation would prove essential to the development of his life's work.

In 1997, he graduated Magna Cum Laude with two bachelor's degrees in Music Composition and Choral Music. His mentor, composer Timothy Kramer, inscribed in his copy of the Well-Tempered Clavier: "Congratulations on the degree, the first step to a great adventure!"

The following year, while studying serial music techniques at Mexico's National Art Center, Juan Luis began noticing striking correspondences between musical intervals and the orbital structure of our Solar System. What started as artistic intuition crystallized, by 2001, into the Tlahuitlayolleohuilli — the circular diagram that would become the foundation of his JLPER Theory.

A serendipitous visit to the Mayan city of Uxmal in 2004 confirmed his discoveries: the ancient architects had encoded the same cosmic sequence into their temples. The number of doorways on each structure matched the numbers in his theory. The Mayans had known.

In 2005, Juan Luis earned his Master of Music in Composition from the University of Houston, studying under Michael Horvit, a former student of Aaron Copland. That same year, he was invited to audition for the doctoral program at the Juilliard School, where his JLPER Theory compositions received favorable reviews from the faculty, including the serialist Milton Babbitt.