The JLPER Theory is a 25-year multidisciplinary research connecting music, astronomy, and ancient Mesoamerican wisdom through a unified mathematical framework.
At its heart lies the "Tlahuitlayolleohuilli" — a Nahuatl word meaning "The Invention That Lights the Way" — a circular diagram revealing the hidden harmony between musical intervals and the cosmic order of our Solar System.
Musical intervals arranged in ascending order form a closed circuit of 25 dual cosmic elements — each number corresponding to both a musical note and a celestial body.
Three additional numbers represent the Three Fates of Time — Past, Present, and Future — forming a perfectly symmetrical diminished chord at equal distances, just as described in Plato's Republic.
TLAHUITLAYOLLEOHUILLI · 2025
The mathematical precision of the Tlahuitlayolleohuilli reveals extraordinary cosmic coincidences:
In 2004, a visit to the ancient Mayan city of Uxmal revealed an astonishing discovery: the number of doorways on each temple matched the cosmic numbers in the JLPER Theory.
The Mayans had discovered the same cosmic sequence thousands of years ago.
The JLPER Theory provides the key to understanding the Aztec Sun Stone — revealing astronomical knowledge long hidden in plain sight:
The cosmic order is mirrored in the human body itself:
NASA recordings of planetary electromagnetic emissions reveal patterns matching the JLPER sequence:
The cosmos literally sings the numbers of the theory.
Since 1998, the JLPER Theory has inspired hundreds of musical compositions — symphonies, concertos, chamber works, and choral pieces — all drawing from the 25-note cosmic rows of the Tlahuitlayolleohuilli.
Works have been premiered internationally in Poland, Mexico, and the United States, including collaborations with NASA's Smithsonian project and recordings released worldwide through the NAXOS label.
The theory proves that music is not merely a human invention — it is the language of the cosmos itself, waiting to be heard by those who listen.